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It was easy at the time to describe Jackass as lowest-common-denominator entertainment, a feeble nadir in TV's race to the bottom. With time, though, it became clear that the show was operating at the intersection of a number of ancient American traditions. If you squinted, you could see traces of Buster Keaton and the Three Stooges. Knoxville's outlaw influences were present too.

Spike Jonze told me that he and Tremaine and Knoxville hadn't discussed how the stunts might be introduced on the show, so Knoxville improvised what would become a signature opening to each segment.

I was like, damn…no wonder it's so iconic. At the center of it all, of course, was Knoxville, handsome and chatty and willing to both suffer and inflict enormous indignities.

Steve-O philosophized that Knoxville's magnetism was rooted in his clumsiness. Knoxville doesn't have any of that, so when Knoxville falls down, it's like, it's devastating. Later, while conducting a Zoom call from his office chair, he'd pull his left leg behind his head to demonstrate.

But Knoxville brought something else to the show, Steve-O said—a kind of unimpeachable courage. It's so counterintuitive. It's just so fucking backwards, you know? That the star happened to be even better at taking the abuse than his psycho castmates basically guaranteed the show's success. It would have been hard for it not to make television history. Immediately Jackass became a cultural lightning rod. Senator Joe Lieberman called for MTV to change or cancel the show, citing a spate of teenagers who suffered injuries after copying notable stunts.

According to Tremaine, the network responded. Frustrated, Knoxville quit less than a year after the first season had aired. They'd managed to film only 24 episodes and a special, but MTV recycled the material endlessly. Despite its brevity, the show was able to graze, or even predict, a number of emerging cultural trends.

It helped hasten MTV's shift to reality-based content. Hollywood began to throw money at films— Old School , Step Brothers , The Hangover —about stunted, self-thwarting men. Platforms like YouTube, Vine, and TikTok, which would build billion-dollar businesses atop clips of people doing stupid things, were years away. But perhaps the most interesting thing Jackass revealed was that the very nature of fame was shifting in early-aughts America. When Kim Kardashian was barely out of high school, men like Knoxville and Steve-O and Bam Margera and Chris Pontius were proving that you could become famous by doing whatever it took to hold an audience's attention.

Steve-O and Pontius got their own show, Wildboyz, a nature-inflected take on Jackass. Margera got one too, focusing on his attempts to terrorize his suburban-Pennsylvania friends. All had come by their fame honestly—by taking as much abuse as they could stomach and hoping people liked it.

And people really, really liked it. To get it done, Knoxville says, they insured it stunt by stunt. What a ridiculous feeling.

What a silly film to be number one. By , when Jackass 3D more than doubled that figure, the Jackass -ification of pop culture was more or less complete. If the money changed the guys, they didn't show it. And they all had black eyes. I of course wondered why they had black eyes, and they explained that they had to take their lot ID photos—the little card that gets you onto the production lot—and they wanted to make sure they had black eyes for their pictures.

So they punched each other in the face. For an ID! This is not part of the movie or the show. This is just three crazy people. This past spring, Knoxville celebrated his 50th birthday at his home in L. It was a low-key day, spent with his wife, Naomi, and their two children, Rocko and Arlo.

Madison, his adult daughter with his first wife, lives in Austin. Naomi whipped up a playlist of their favorite songs, heavy on Willie Nelson. They all ate out on the patio, near the pool they'd made happy use of during the pandemic summer.

This is the Knoxville his friends, most of whom call him P. He surfs. He is notably attentive to the physical safety of his children. He is diligent about sending gifts.

Lately, Knoxville has been spending much of his time in his office, where he's been working on finishing the movie. The workspace features photos of his heroes, Evel Knievel and Hunter S. He met Thompson once, years back. At the time, Knoxville was fresh off the success of the first Jackass film; a few producers thought they'd turn him into the next great American movie star. It was a heady time to be Johnny Knoxville. Temptation abounded.

His first marriage ended. A new relationship with an old friend straightened him out. At first. Then it was for myself too. There were limits: He told her he wasn't interested in exploring the part of him that wanted to do stunts. It wasn't just about jeopardizing his livelihood, he explained. It's something that I did with my friends.

And I was decent at it. Or when you come to. Other members of the cast had more trouble adjusting to fame. Steve-O very publicly battled drug addiction. In recent years worrying signs have come from Bam Margera, who has entered and exited rehab a number of times. Cast member Ryan Dunn died in in a drunk-driving accident. Watching his friends struggle has been immensely challenging for Knoxville.

And it was tough when Steve-O was going off the rails. But he has completely, completely turned his life around and is doing just—I mean, he's doing terrific. He's a different, different man. I asked if he ever felt that the show, or the lifestyle around it, was responsible for exacerbating his friends' struggles.

And at the end of the day, that person has to want help. Sometimes they don't. I think that's all I really want to say about it. Last year, shortly before Christmas, as filming was winding down, Knoxville and the crew drove out to the ranch of longtime Hollywood bull wrangler Gary Leffew.

Knoxville has a long, painful, and unusually intimate history with the animals—he started doing stunts with them back in the Big Brother days, and they've featured heavily in many of his most iconic Jackass stunts.

So it stood to reason that he wouldn't limp off into the sunset without one last appointment with a bull. They hate anything that moves. If you're moving, they get very angry. And whether you're a person or an inanimate object, if it moves, bulls want to make it stop moving. Which is great for us. Steve-O tried to object. We arguably have a great movie in the can. We don't need to be doing this, and why the fuck are we doing this?

The bit they'd worked out called for Knoxville to perform a magic trick for the bull, which would then send him flying. But the hit the animal delivered was unusually violent, and as Knoxville was tossed skyward, he did one and a half rotations in the air.

Knoxville lay in the dirt, unconscious in the bullring for over a minute. When Knoxville came to, he asked what had happened. The assembled crew filled him in. An ambulance ferried him to the hospital, where he was diagnosed with a broken rib, a broken wrist, a concussion, and a hemorrhage on his brain. While he was laid up, his phone beeped with a text message from Steve-O, addressed to Knoxville and sent to the whole cast.

It was a sort of love letter:. Knox, while it's actually happening, watching you play with bulls and yaks has always been my very least favorite part of this thing called Jackass. But watching the footage after the fact has always made me profoundly grateful. The ultimate risks you have always taken for this team truly set you apart, on your own, as the backbone of it. You're not just a shockingly pretty face. You are the craziest fucking stuntman ever to live.

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