What type of artist is joan miro

Abstract Expressionism Style - 56 artworks. Constellations Series - 10 artworks. Related Artists. Hieronymus Bosch c.

Marc Chagall - Man Ray - Leon Underwood - Josef Sima - Max Ernst - John Heartfield - Georges Papazoff - Claude Cahun - Jean Hugo - Carlos Orozco Romero - On the left, a ladder, depicted in white and yellow with red rungs, extends into the sky. The distortions of the moon and the dog, along with the improbability of the ladder, create a sense of play where everything both is and is not what it seems, while the white, red, and yellow, used for the four forms, creates some mysterious sense of connection between them.

As art critic Laura Cummings wrote, "On the ground, a multicoloured critter with something like paws and jaws barks at the moon with all the energy implicit in its tightly sprung form. The moon is not quite immune to this absurd display: it has a painted heart. But it also wears a satirical red nose. As Cummings noted, the work famous "as a work of surrealism Here is the young artist as a pup, trying to find his voice in the international avant-garde. The beautiful ladder must therefore be his art, by which he will ascend.

Oil on canvas - A. This painting is based on Hendrick Martensz Sorgh's Lute Player , a Dutch Golden Age genre painting showing a domestic interior where a young man with a small dog at his feet serenades a young woman who seems unimpressed, as a cat looks out from under the table. Here, the young woman is left out and the lute player becomes a biomorphic shape with a red circular face surrounded by a large white circular collar, a curlicue swirl of lines for hair, as he plays the lute that diagonally intersects the center of the canvas.

The white of the collar extends to the right in angles and curves, and resembles a kind of oversized leg painted with small ambiguous symbols, a dark pyramid for genitalia next to a sperm like shape, a black crescent shoe at the "foot. As art critic Karen Rosenberg wrote, "presences become floating, Surrealist apparitions - unmoored and ambiguous but still mischievous," becoming "a giddy fantasia in green and orange, with the lute player as a kind of Pied Piper to various birds and beasts.

The same year, following a very successful exhibition of his work in Paris, the artist said, "I understood the dangers of success and felt that, rather than dully exploiting it, I must launch into new ventures.

But nothing more than a starting point to go in a diametrically opposite direction. This painting uses a reduced palette to present many small blue, green, yellow, red, and predominantly black forms that resemble signs, globes, stars, and eyes that populate the opalescent, tawny background.

While searching for the lovers and the bird, viewers are drawn further in by the plethora of lines that connect them, woven into a complex constellation against a night sky. As art historian Laurie Edison noted, "Unlike stars, which exist physically in the sky, constellations exist only conceptually The small village was often in a state of blackout.

He wrote, "I had always enjoyed looking out of the windows at night and seeing the sky and the stars and the moon, but now we weren't allowed to do this any more, so I painted the windows blue and I took my brushes and paint, and that was the beginning of the Constellations. He said, "When I was painting the Constellations , I had the genuine feeling that I was working in secret, but it was a liberation for me in that I ceased thinking about the tragedy all around me.

His ability to bring forth illustrative form to his emotions laid a great foundation for the ensuing Abstract Expressionist movement.

And is there any influence other than his that has been common to both de Kooning and Rothko? This monumental canvas, nearly 12 feet by 9 feet, part of a series of three, uses simple abstract shapes against a blue background, painted with uniform brushstrokes. A slightly diagonal red stroke adds dramatic contrast, emphasizing the infinite and vacant expanse, while a series of black, irregularly round shapes, evokes a private language of signs, energetically extending across the horizon.

The intense blue dominates, capturing the artist's feeling as he wrote, "The spectacle of the sky overwhelms me. I'm overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun. There, in my pictures, tiny forms in huge, empty spaces. Empty spaces, empty horizons, empty plains - everything which is bare has always greatly impressed me. But at the same time, the work also draws upon his lifelong preoccupations and ancient sources, as he said, "Little by little, I've reached the stage of using only a small number of forms and colors.

It's not the first time that painting has been done with a very narrow range of colors. The frescoes of the tenth century are painted like this. For me, they are magnificent things. This sculpture depicts a hybrid creature, its face and horns lunar shaped, while its two arms resemble the arc of wings, but are devoid of plumage.

Its squat horizontal torso with two limbs firmly planted has a primal power, as if drawing strength from the earth. The many hornlike shapes not only evoke crescent moons and birds, but the tradition of Spanish bullfighting. As a result, the work seems to have sprung out of the natural world, resembling an organic form that has taken shape in dark shining metal. In the s, he enlarged the original model to make casts of the work, which can be found in museums and sculptural parks throughout the world.

This bronze sculpture depicts a figure, whose biomorphic shape evokes vegetable forms, flower petals, and marine-like flippers. The body language, and the freshness which were depicted in his work, were some of the most well-known characteristics, which were found on the canvases that were created by Joan Miro during the later part of his career.

The special attention that he paid to the material he was working on, and the distinct forms, were also characteristic of the works he created during the final years of his career as an artist. During the final years of his career, much of the work which Joan Miro created, took more of an interest in symbolism, and the message that was being portrayed, as opposed to the actual image, and the exacting features which were created in these works.

He would take less focus on the theme of the figure that was being depicted, and focused more on the symbol and the message that emerged from the final piece that was depicted to the general public. The eccentric style in which Joan Miro created, is an embodiment of the unique approach he took not only to the work he created, but to the art world in general, and the many unique forms of art which he created during the course of his illustrious career.

In , the Joan Miro Foundation Center of Contemporary Arts was opened in the city of Barcelona, which was his home city, and where he would often return for his inspirations. In , four years after this opened, he was also named the Doctor Honoris Causa, by the University of Barcelona, for the work he had done, as well as his influence on art. Not only did Miro take a distinct approach to creation, but he also focused on a number of mediums and forms during his career.

This has made Joan Miro one of the most celebrated Spanish artists, and one who has created a unique style which many followed years after his death in All Rights Reserved. Toggle navigation Joan Miro. Joan Miro, and his paintings. Catalan Landscape.

The Red Sun. The Gold of the Azure. The Tilled Field.